
Recording “Silver Lining”: The Small-Town Magic of L.A.’s Music Scene (and How Mike Stinson Led Me to Brian Whelan)
“I could imagine a Charlie Daniels / ‘Devil Went Down’ thing — so having J’Anna Jacoby and Brian Whelan both on the song got it where I wanted it.” Singer/songwriter Mike Stinson is an undiscovered legend. If we were living in the late ’70s, Stinson would be signed to a major record label, flying a private jet to and from appearances and sharing the stage with the likes of George Jones, Merle Haggard and Charlie Rich. Years ago, I saw Stinson play when I was opening for him at Taix in Los Angeles. Stinson commanded the stage and held the crowd’s attention while the club booker handed him whiskeys, effortlessly plowing through one tragic hurtin’ song after another. He’d played Taix many times, sitting in on drums with I See Hawks in L.A. and other Los Angeles bands, before he left for Texas. Because I kept track of Stinson’s whereabouts




